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Some recent works:

FOAM– Score for Voice, Live Electronics, 23’
• Commissioned by Ne. Sans Opera & Dance

Pass This On– Electronic Score, 25’ (2022)
• Commissioned by choreographer Kate Franklin for the EDAM Spring
Choreographic Series

https://soundcloud.com/jeremy-oneill-1/pass-this-on-for-kate-franklin?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing


Once I was Human– Score for Voice, Live Electronics, 22’ (2018, revised 2022)

• Performed by yours truly in Darmstadt, Germany


Hyperobject– Open Score Work for 10 Musicians, 11’ (2017)

• Commissioned and Performed by Ecstatic Waves Ensemble


Bang/Whimper– 6 performers with loudspeakers and laptops, 10’ (2017)

• Written for and performed by the SFU Laptop Orchestra


Obstructus– Bass Clarinet, Cello, Violin, Piano, Percussion 10’ (2017)

• Performed by Array Ensemble


Communion– Bass Clarinet, Cello, Percussion 9’ (2017)

• Performed by Chris Blaber, Peggy Lee, AK Coope


Studies for Cello and Interactive Electronics #1,2,3 & 4, 19’ (2017)

• Performed by Peggy Lee


Four Winds– String Quartet, 7’ (2016, revised 2019)

•First performed by Quatuor Bozzini at the Djavad Mowafaghian World Art Centre as part of Bozzini Lab, Vancouver, BC

https://soundcloud.com/jeremy-oneill-1/four-winds?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Elegy to the Lonely Perpetrator– SATB chorus, 6’ (2016)
• Performed by Chor Flammae at the Vancouver Orpheum Annex

https://soundcloud.com/jeremy-oneill-1/elegytothelonelyperpetrator?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

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